Hell on Wheels (created by Joe and Tony Gayton) is a gritty
series (in its second season) that portrays the malevolent and corrupt nature
that engulfed America’s early railroad development. The story’s main protagonist is rough-neck
former Confederate soldier named Cullen Bohannan, played by Anson Mount, whose
family was murdered by union solders. This event sets him on a mission of
violent revenge that subsequently leads him to the further reaches of the great
frontier, and, ultimately, into the employment of a powerful railroad baron
named Thomas ‘Doc’ Durant, played by one of my favorite actors Colm Meaney. The
story line seems simple enough at first: man seeks revenge for slain family,
but as the plot unfolds what begins to develop is a dynamic story of many
different characters attempting to survive long enough to stake their claim of
the great undeveloped west. This mobile tent town that spearheads the train
track construction is laden with lawless men running from their pasts, voluptuous
women working the world’s oldest trade, recently freed slaves, and hardworking
immigrants. However, this combustible melting pot lives under constant fear of
attacks from the Native Americans, and it is this aspect of the show I find the
most compelling. I personally was drawn to the stark contrast developed between
the industrial “white man’s world” and the natural world of the Native
Americans. This struggle is best exemplified in the season 1, episode 6 where a
sit down is arranged to discuss a peaceful resolution to the tumultuous
relationship between Chief Many Horses of the Cheyenne, played by the ubiquitous
Wes Studi, and the railroad conglomerate, e.g., Durant, Senator Jordan Crane
(James D. Hopkin), and the town reverend Cole (Tom Noonan). It is within this exchange
that the underlying issue of this series presents itself; the struggle between industrialization
and nature, colonization and independence, and, ultimately, genocide. The railroad
barons argue that the land they need to develop does not actually belong to the
Indians but actually to the government. They assure the Chief that he and his
people would have a better way of life if they were to move to a reservation.
Needless to say, the Chief disagrees and the parties leave in a hot huffy. I vehemently
recommend this show. It is an excellent rendition of the bloody turmoil that surrounded
the development of the Wild West.
Big Lou gives this series 3.5 Shamrocks! |
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